Marcel’s delayed grief for his grandmother begins viscerally, not at the prompting of memory. He seeks to prolong the pain of grief as a means of reviving his grandmother, in vain.
A few days later I was able to look with pleasure at the photograph that Saint-Loup had taken of her; it did not revive the memory of what Francoise had told me, because that memory had never left me and I was growing used to it. (IV,242)
In my fear lest the pleasure I found in this solitary excursion might weaken my memory of my grandmother, I sought to revive it by thinking of some great sorrow that she had experienced; in response to my appeal, that sorrow tried to reconstruct itself in my heart, threw up vast pillars there; but my heart was doubtless too small for it, I had not the strength to bear so great a pain, my attention was distracted at the moment when it was approaching completion, and its arches collapsed before they had joined, as the waves crumble before reaching their pinnacle. (IV,246)
Not just the weakening force of habit, but other visceral impressions were supplanting his grief.
But on reaching the road I found a dazzling spectacle. Where I had seen with my grandmother in the month of August only the green leaves and, so to speak, the disposition of the apple-trees, as far as the eye could reach they were in full bloom, unbelievably luxuriant, their feet in the mire beneath their ball-dresses, heedless of spoiling the most marvellous pink satin that was ever seen, which glittered in the sunlight; the distant horizon of the sea gave the trees the background of a Japanese print; if I raised my head to gaze at the sky through the flowers, which made its serene blue appear almost violent, they seemed to draw apart to reveal the immensity of their paradise….it was a day in spring. (IV,244-245)